MAARTECH | Tuesday December 1, 2020
This is an independent, non-sponsored site.
The site is supported by revenue from
Google Adwords and my affiliate relationships
with B&H Photo and Amazon.
If you make a purchase from an affiliate link
on this site, I will receive a small commission.
Maarten | On 17, Sep 2014
More than one viewer has asked me how to create an out-of-focus background. I replied with what I felt were the six steps involved. However, a visual demonstration seemed more appropriate. I enlisted my friend Paul to assist.
Although these things sound simple in theory, putting them into practice turns out to be more difficult. As always, the shoot is a condensed version of reality. We’d gone to High Park to scout the location and did some test shoots to confirm that our ideas and location would work.
Originally I wanted to say “Get the subject as close to the lens as the closest focus distance allows.” That is, of course, not practical with humans – although it works perfectly for flowers.
Our other thought was that the exposure should be as wide as possible – but that presents a conflict for zoom lenses, which tend to ramp the aperture to a smaller diameter as you zoom in. With the 24-105 on the Canon, a full zoom has a maximum aperture of F5.6, which did not seem to be ideal. The results show otherwise – maximum zoom, and the distance between the subject and the background are just as important as the distance between the lens and the subject or the aperture.
For your reference, the six steps are:
Note that for video, you’ll want to set the shutter speed in the range 1/60 to 1/120 to capture motion properly. If gain/ISO is already at its lowest, you may need ND. Zebra set to 70% (the one on-screen artifact I can’t show you) will help expose white skin properly.
The video was recorded using the Atomos Ninja Star, my favourite new video device – it captures the HDMI output from the camera. Both the Sony A6000 and the Canon 60D support video output while shooting with the data overlay, so you can see the settings as they change. My original plan was to include the Fuji X-T1, but sadly, its HDMI out only works for playback. As a bonus, the Ninja Star can record four audio channels, two from the camera, and two from the line-in input. We connected the Sennheiser ew-2 wireless receiver (AF output up to 0db) to record our lines.
Yes, in the video the AutoISO level changes are slightly distracting. And the A6000’s autofocus (which is otherwise ridiculously good) has trouble identifying me as an object and only sometimes finds my face. If you are shooting video, full manual (exposure and focus) are really the only way to go.
I hope this helps. As always, I would love to read and reply to your comments.
Save my name, email, and website in this browser for the next time I comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.
© 2019 Maarten Heilbron